<resource xmlns:datacite="http://datacite.org/schema/kernel-4">
<creators>
<creator>
<creatorName>Zechner, Ingeborg</creatorName>
<givenName>Ingeborg</givenName>
<familyName>Zechner</familyName>
</creator>
</creators>
<titles>
<title>The English Trade in Nightingales</title>
<title titleType="Subtitle">Italian Opera in Nineteenth-Century London</title>
</titles>
<publisher>Böhlau</publisher>
<publicationYear>2017</publicationYear>
<descriptions>
<description descriptionType="Other">Die Publikation beschäftigt sich mit dem italienischen Opernwesen im London des 19. Jahrhunderts. Im Vordergrund stehen die Sänger als tragende Protagonisten des Londoner Opernsystems. Deren Bedeutung für den Londoner Opernmarkt wird mithilfe einer Analyse des Londoner Opernpublikums, der Vertragspraxis der Zeit und der Adaptions- und Einlagearienpraxis festgemacht.</description>
<description descriptionType="Other">This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera audience in London, the contractual practice and the tradition of the adaptation of operas to the likes of the London market as well as the substitution of arias.</description>
</descriptions>
<resourceType resourceTypeGeneral="Text">PDFDocument</resourceType>
<language>en</language>
<dates>
<date dateType="Created">2017-08-10T10:35:24.343Z</date>
</dates>
<subjects>
<subject>Italienische Oper, London, 19. Jahrhundert, Sänger, Sängerverträge, Gerichtsprozesse, Her Majesty’s Theatre, Royal Italian Opera House Covent Garden, Adaptionspraxis, Einlagearienpraxis, Opernpublikum, Opernmarkt</subject>
<subject>Italian opera, London, nineteenth century, singers, singers contracts, court proceedings, Her Majesty’s Theatre, Royal Italian Opera House Covent Garden, adaptation of operas, substitution of arias, opera audience, opera market</subject>
<subject>ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Musikwissenschaft (604024)</subject>
<subject>ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Musicology (604024)</subject>
<subject>ÖFOS 2012</subject>
<subject>ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Musiktheater (604034)</subject>
<subject>ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Music theatre (604034)</subject>
<subject>ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Music history (604022)</subject>
<subject>ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Musikgeschichte (604022)</subject>
<subject>ÖFOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Cultural studies (605004)</subject>
<subject>ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Kulturwissenschaft (605004)</subject>
<subject>BIC Standard Subject Categories</subject>
<subject>BIC Standard Subject Categories -- The arts (A) -- Music (AV) -- Theory of music &amp; musicology (AVA)</subject>
<subject>BIC Standard Subject Categories -- The arts (A) -- Music (AV) -- Music: styles &amp; genres (AVG) -- Western "classical" music (AVGC) -- Classical music (c 1750 to c 1830) (AVGC4)</subject>
<subject>BIC Standard Subject Categories -- The arts (A) -- Music (AV) -- Music: styles &amp; genres (AVG) -- Western "classical" music (AVGC) -- Romantic music (c 1830 to c 1900) (AVGC5)</subject>
<subject>BIC Standard Subject Categories -- The arts (A) -- Music (AV) -- Music: styles &amp; genres (AVG) -- Western "classical" music (AVGC) -- Opera (AVGC9)</subject>
</subjects>
<sizes>
<size>1724948 b</size>
</sizes>
<formats>
<format>application/pdf</format>
</formats>
<rightsList>
<rights rightsURI="http://creativecommons.org/licenses/by/4.0/">CC BY 4.0 International</rights>
</rightsList>
</resource>
