<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:format>application/pdf</dc:format>
  <dc:contributor>Ellensohn, Reinhard</dc:contributor>
  <dc:contributor>Putz, Kerstin</dc:contributor>
  <dc:creator>Anders, Günther</dc:creator>
  <dc:description xml:lang="deu">Dieser Band versammelt erstmals bislang unveröffentlichte Schriften und verstreut publizierte Texte des Philosophen, Schriftstellers und streitbaren Intellektuellen Günther Anders (1902-92) zu Kunst und Film. Die Arbeiten stammen aus den 1920er und 1930er Jahren, aus Anders’ Emigrationszeit in Paris (1933-36) und den USA (1936-50), insbesondere aus seiner Zeit in Hollywood (1939-43), sowie aus der unmittelbaren Nachkriegszeit bis in die 1950er Jahre hinein. Die aus dem Nachlass des Autors edierten Texte sind nicht nur eine wichtige kunst- und kulturwissenschaftliche Quelle, sondern erlauben auch einen neuen Blick auf Anders’ Gesamtwerk, insbesondere auf seine viel rezipierte Medienkritik aus dem ersten Band seines Hauptwerks „Die Antiquiertheit des Menschen“ aus dem Jahr 1956 („Die Welt als Phantom und Matrize“).</dc:description>
  <dc:publisher>C. H. Beck</dc:publisher>
  <dc:subject xml:lang="eng">History of art, Art theory, Aesthetics, Film studies, Media theory, Media arts</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- Philosophy, Ethics, Religion (603) -- Aesthetics (603101)</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Art theory (604020)</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Film studies (604011)</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Media arts (604021)</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories -- The arts (A) -- The arts: general issues (AB) -- Theory of art (ABA)</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories -- The arts (A) -- History of art / art &amp; design styles (AC)</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories -- The arts (A) -- Film, TV &amp; radio (AP)</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories -- Humanities (H) -- Philosophy (HP) -- Philosophy: aesthetics (HPN)</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories -- Society &amp; social sciences (J) -- Society &amp; culture: general (JF) -- Media studies (JFD)</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories -- Economics, finance, business &amp; management (K) -- Industry &amp; industrial studies (KN) -- Media, information &amp; communication industries (KNT)</dc:subject>
  <dc:subject xml:lang="ita">ÖFOS 2012</dc:subject>
  <dc:subject xml:lang="ita">ÖFOS 2012</dc:subject>
  <dc:subject xml:lang="ita">ÖFOS 2012</dc:subject>
  <dc:subject xml:lang="ita">ÖFOS 2012</dc:subject>
  <dc:subject xml:lang="ita">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="ita">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="ita">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="ita">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="ita">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="ita">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="deu">Kunstgeschichte, Philosophie der Kunst, Ästhetik, Filmtheorie, Medienphilosophie, Medienkunst</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Philosophie, Ethik, Religion (603) -- Ästhetik (603101)</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunsttheorie (604020)</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Filmwissenschaft (604011)</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Medienkunst (604021)</dc:subject>
  <dc:subject xml:lang="deu">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="deu">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="deu">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="deu">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="deu">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="deu">BIC Standard Subject Categories</dc:subject>
  <dc:identifier>ISBN: 978-3-406-74771-7</dc:identifier>
  <dc:identifier>https://e-book.fwf.ac.at/o:1482</dc:identifier>
  <dc:language>deu</dc:language>
  <dc:language>eng</dc:language>
  <dc:type xml:lang="eng">Text</dc:type>
  <dc:date>2020-11</dc:date>
  <dc:rights>CC BY 4.0 International</dc:rights>
  <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
  <dc:title xml:lang="deu">Schriften zu Kunst und Film</dc:title>
  <dc:description xml:lang="eng">This volume contains previously unpublished writings and hardly known texts of the philosopher, writer and intellectual Günther Anders (1902-92) on art and film. The writings date from the 1920s and 1930s, from Andersʼ years in exile in Paris (1933-36) and the USA (1936-50), especially from his years in Hollywood (1939-43), as well as from the post-war period up to the 1950s. These writings from the authorʼs estate are not only an important source for art and cultural studies, but also put a new complexion on Andersʼ oeuvre, in particular on his famous criticism of mass media from the first volume of his main work “The Outdatedness of Man” from 1956 (“The World as a Phantom and Matrix”).</dc:description>
</oai_dc:dc>