<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:type xml:lang="eng">Text</dc:type>
  <dc:language>deu</dc:language>
  <dc:title xml:lang="deu">Hier und Anderswo. Palästina-Israel im essayistischen Film (1960-2010)</dc:title>
  <dc:date>2020-12</dc:date>
  <dc:coverage xml:lang="eng">Israel-Palestine, Middle East conflict, Palestine, Israel, Essay Film, Documentary Film, Visual History, Media, Represention, Chris Marker, Jean-Luc Godard, Anne-Marie Miéville, Udi Aloni, Ariella Azoulay, Ula Tabari, Elia Suleiman</dc:coverage>
  <dc:rights>CC BY 4.0 International</dc:rights>
  <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
  <dc:description xml:lang="eng">Peter Grabher questions how French, Israeli and Palestinian filmmakers between 1960 and 2010 have dealt with the Middle East conflict and with audiovisual representations concerning Israel-Palestine. He examines the transgressive strategies of essay films by Chris Marker, Jean-Luc Godard/Anne-Marie Miéville, Ariella Azoulay, Udi Aloni, Ula Tabari und Elia Suleiman and provides a detailed analysis of their historical and aesthetic context.</dc:description>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- History, Archaeology (601) -- Codicology (601011)</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- History, Archaeology (601) -- Contemporary history (601022)</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- Philosophy, Ethics, Religion (603) -- Aesthetics (603101)</dc:subject>
  <dc:subject xml:lang="eng">BIC Standard Subject Categories -- The arts (A) -- Film, TV &amp; radio (AP) -- Films, cinema (APF) -- Documentary films (APFR)</dc:subject>
  <dc:subject xml:lang="ita">ÖFOS 2012</dc:subject>
  <dc:subject xml:lang="ita">ÖFOS 2012</dc:subject>
  <dc:subject xml:lang="ita">ÖFOS 2012</dc:subject>
  <dc:subject xml:lang="ita">BIC Standard Subject Categories</dc:subject>
  <dc:subject xml:lang="deu">Israel-Palästina, Nahostkonflikt, Palästina, Israel, Essayfilm, Dokumentarfilm, Visual History, Medien, Repräsentation, Chris Marker, Jean-Luc Godard, Anne-Marie Miéville, Udi Aloni, Ariella Azoulay, Ula Tabari, Elia Suleiman</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Geschichte, Archäologie (601) -- Kodikologie (601011)</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Geschichte, Archäologie (601) -- Zeitgeschichte (601022)</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Philosophie, Ethik, Religion (603) -- Ästhetik (603101)</dc:subject>
  <dc:subject xml:lang="deu">BIC Standard Subject Categories</dc:subject>
  <dc:identifier>ISBN: 978-3-7410-0337-0</dc:identifier>
  <dc:identifier>doi:10.23799/97837410O1345</dc:identifier>
  <dc:identifier>https://e-book.fwf.ac.at/o:1487</dc:identifier>
  <dc:description xml:lang="deu">Peter Grabher untersucht, wie französische, israelische und palästinensische Filmautor*innen zwischen 1960 und 2010 auf den Nahostkonflikt und die audiovisuelle Repräsentation Israel-Palästinas reagierten. In detaillierten Filmanalysen beschreibt er die transgressiven Strategien von Essayfilmen von Chris Marker, Jean-Luc Godard/Anne-Marie Miéville, Ariella Azoulay, Udi Aloni, Ula Tabari und Elia Suleiman, sowie deren historischen und ästhetischen Kontext.</dc:description>
  <dc:creator>Grabher, Peter</dc:creator>
  <dc:publisher>Schüren Verlag</dc:publisher>
  <dc:format>application/pdf</dc:format>
</oai_dc:dc>