{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/spec\/#","frap":"http:\/\/purl.org\/cerif\/frapo","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"https:\/\/www.w3.org\/TR\/rdf-schema\/","relators":"http:\/\/id.loc.gov\/vocabulary\/relators","role":{"@context":{"aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"}}},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl"},"@id":"https:\/\/e-book.fwf.ac.at\/o:1947","bf:note":[{"@type":"bf:Note","skos:prefLabel":[{"@language":"deu","@value":"Lange Zeit waren Kunstwerke mit traditionellen Bildmotiven auch ohne Betitelung hinreichend verständlich. Weshalb, ab wann und unter welchen Begleitumständen entstanden dennoch Titel? Die livrets, die Ausstellungskataloge der Pariser Académie royale de peinture et de sculpture, zeigen die Titel-Genese als schrittweisen Übergang von Beschreibungen der Arbeiten hin zu prägnant gefassten Kurztiteln – das Aufkommen neuer, bis dahin unbekannter Bildmotive, die Entwicklung des Kunstmarkts und die beginnende Kunstkritik verlangten und begünstigten kurze, leicht lesbare Titel, die eine rasche Identifikation des Werkinhalts sowie den kunsttheoretischen Diskurs über Künstler und Werk erleichterten."}]},{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"For a long time, works of art with traditional pictorial motifs were sufficiently comprehensible even without titles. Why, when and under what circumstances were titles nevertheless created? The livrets, the exhibition catalogues of the Paris Académie royale de peinture et de sculpture, document   the genesis of titles as a gradual transition from descriptions of the works to concise short titles – the emergence of new, previously unknown pictorial motifs, the development of the art market and the beginning of art criticism demanded and favoured short, easy-to-read titles that facilitated the rapid identification of the content of the work as well as the art-theoretical discourse on artist and work."}]}],"bf:provisionActivity":[{"@type":"bf:Publication","bf:agent":[{"@type":"schema:Organization","schema:name":[{"@value":"ad picturam"}]}],"bf:date":["2024-06-12"],"bf:place":[{"@type":"schema:Place","skos:prefLabel":[{"@value":"Merzhausen"}]}]}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Bildtitel"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Pariser Salon"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Livrets"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Ausstellungsverzeichnisse"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"picture titles"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Paris Salon"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"livrets"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"exposition catalogues"}]}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"deu","@value":"Wie der Titel zu den Bildern kam"}],"bf:subtitle":[{"@language":"deu","@value":"Die livrets des Pariser Salons"}]}],"dcterms:language":["deu"],"dcterms:subject":[{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019)"},{"@language":"eng","@value":"ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019)"}],"skos:exactMatch":["oefos2012:604019"],"skos:notation":["604019"],"skos:prefLabel":[{"@language":"deu","@value":"Kunstgeschichte"},{"@language":"eng","@value":"Art history"}]},{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunsttheorie (604020)"},{"@language":"eng","@value":"ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art theory (604020)"}],"skos:exactMatch":["oefos2012:604020"],"skos:notation":["604020"],"skos:prefLabel":[{"@language":"deu","@value":"Kunsttheorie"},{"@language":"eng","@value":"Art theory"}]},{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"Thema Klassifizierung -- Kunst (A) -- Kunst: Themen und Techniken (AG) -- Ausstellungskataloge, Museumskataloge und Sammlungen (AGC)"},{"@language":"eng","@value":"Thema Subject Codes -- The Arts (A) -- The Arts: treatments and subjects (AG) -- Exhibition catalogues and specific collections (AGC)"}],"skos:exactMatch":["thema:AGC"],"skos:notation":["AGC"],"skos:prefLabel":[{"@language":"deu","@value":"Ausstellungskataloge, Museumskataloge und Sammlungen"},{"@language":"eng","@value":"Exhibition catalogues and specific collections"}]}],"dcterms:temporal":[{"@type":"edm:TimeSpan","skos:prefLabel":[{"@language":"deu","@value":"Frankreich, 17.\/18. Jahrhundert"},{"@language":"eng","@value":"France, 17\/18th century"}]}],"dcterms:type":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/69ZZ-2KGX"],"skos:prefLabel":[{"@language":"eng","@value":"Text"},{"@language":"deu","@value":"Text"}]}],"ebucore:filename":["PUB 908-G_ Loibl_Wie der Titel zu den Bildern kam.pdf"],"ebucore:hasMimeType":["application\/pdf"],"edm:hasType":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/47QB-8QF1"],"skos:prefLabel":[{"@language":"eng","@value":"book"},{"@language":"deu","@value":"Buch"}]}],"edm:rights":["http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/"],"frapo:isOutputOf":[{"@type":"foaf:Project","frapo:hasFundingAgency":[{"@type":"frapo:FundingAgency","skos:exactMatch":["https:\/\/ror.org\/013tf3c58"],"skos:prefLabel":[{"@value":"FWF Austrian Science Fund"}]}],"skos:exactMatch":[{"@type":"ids:doi","@value":"10.55776\/PUB908"}]}],"rdam:P30004":[{"@type":"ids:doi","@value":"10.11588\/arthistoricum.1371"},{"@type":"ids:isbn","@value":"978-3-942919-15-9"}],"role:aut":[{"@type":"schema:Person","schema:familyName":[{"@value":"Loibl"}],"schema:givenName":[{"@value":"Wolfgang"}],"skos:exactMatch":[{"@type":"ids:orcid","@value":"0000-0002-2900-3649"}]}]}