
<resource xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:datacite="http://datacite.org/schema/kernel-4" xmlns="http://namespace.openaire.eu/schema/oaire/" xsi:schemaLocation="http://namespace.openaire.eu/schema/oaire/ https://www.openaire.eu/schema/repo-lit/4.0/openaire.xsd">
  
<datacite:identifier identifierType="URL">https://e-book.fwf.ac.at/o:1962</datacite:identifier>

  
<datacite:titles>
  
<datacite:title xml:lang="de">Schauspiel &amp; Doppeltes Bewusstsein : Zur Verhandlung dissoziativer Phänomene bei Coquelin, Archer, Martersteig und Craig</datacite:title>

  
</datacite:titles>

  
<datacite:creators>
  
<datacite:creator>
  
<datacite:creatorName nameType="Personal">Brucher, Rosemarie</datacite:creatorName>

  
<datacite:givenName>Rosemarie</datacite:givenName>

  
<datacite:familyName>Brucher</datacite:familyName>

  
<datacite:nameIdentifier nameIdentifierScheme="ORCID" schemeURI="https://orcid.org/">0000-0002-9843-1292</datacite:nameIdentifier>

  
</datacite:creator>

  
</datacite:creators>

  
<dc:publisher>AISTHESIS</dc:publisher>

  
<resourceType resourceTypeGeneral="literature" uri="http://purl.org/coar/resource_type/c_18cf">text</resourceType>

  
<fundingReferences>
  
<fundingReference>
  
<funderName>FWF</funderName>

  
<awardNumber>https://doi.org/10.55776/PUB1100</awardNumber>

  
</fundingReference>

  
</fundingReferences>

  
<dc:language>deu</dc:language>

  
<dc:description xml:lang="en">The present study examines how four acting theorists—Constant Coquelin, William Archer, Max Martersteig, and Edward Gordon Craig—incorporated new psychological insights on consciousness splits into their considerations. Through their writings from 1880 to 1910, it is demonstrated how the inclusion of theories on consciousness led to a shift in the traditional understanding of identity and identification in acting.</dc:description>

  
<dc:description xml:lang="de">Die vorliegende Studie untersucht mit Fokus auf die vier Schauspieltheoretiker Constant Coquelin, William Archer, Max Martersteig und Edward Gordon Craig, wie diese neue psychologische Erkenntnisse zu Bewusstseinsspaltungen in ihre Überlegungen einbezogen. Anhand ihrer Schriften aus den Jahren 1880 bis 1910 wird aufgezeigt, wie sich durch den Einbezug bewusstseinstheoretischer Überlegungen die traditionelle Auffassung von Identität und Identifikation im Schauspiel veränderte.</dc:description>

  
<datacite:subjects>
  
<datacite:subject xml:lang="en">Theatre studies</datacite:subject>

  
<datacite:subject xml:lang="en">ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Theatre studies (604029)</datacite:subject>

  
<datacite:subject xml:lang="en">Acting techniques</datacite:subject>

  
<datacite:subject xml:lang="en">Thema Subject Codes -- The Arts (A) -- Performing arts (AT) -- Theatre studies (ATD) -- Acting techniques (ATDC)</datacite:subject>

  
<datacite:subject xml:lang="en">Puppetry, miniature and toy theatre</datacite:subject>

  
<datacite:subject xml:lang="en">Thema Subject Codes -- The Arts (A) -- Performing arts (AT) -- Other performing arts (ATX) -- Puppetry, miniature and toy theatre (ATXM)</datacite:subject>

  
<datacite:subject xml:lang="en">Abnormal psychology</datacite:subject>

  
<datacite:subject xml:lang="en">Thema Subject Codes -- Society and Social Sciences (J) -- Psychology (JM) -- Abnormal psychology (JMP)</datacite:subject>

  
<datacite:subject xml:lang="en">Psychology: the self, ego, identity, personality</datacite:subject>

  
<datacite:subject xml:lang="en">Thema Subject Codes -- Society and Social Sciences (J) -- Psychology (JM) -- Psychology: the self, ego, identity, personality (JMS)</datacite:subject>

  
<datacite:subject xml:lang="en">Complementary and alternative medicine and therapies</datacite:subject>

  
<datacite:subject xml:lang="en">Thema Subject Codes -- Medicine and Nursing (M) -- Complementary and alternative medicine and therapies (MX)</datacite:subject>

  
<datacite:subject xml:lang="en">Theories of acting</datacite:subject>

  
<datacite:subject xml:lang="en">double personality</datacite:subject>

  
<datacite:subject xml:lang="en">automatism</datacite:subject>

  
<datacite:subject xml:lang="en">hypnosis</datacite:subject>

  
<datacite:subject xml:lang="en">dissociation</datacite:subject>

  
<datacite:subject xml:lang="en">Über-Marionette</datacite:subject>

  
<datacite:subject xml:lang="de">Theaterwissenschaft</datacite:subject>

  
<datacite:subject xml:lang="de">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Theaterwissenschaft (604029)</datacite:subject>

  
<datacite:subject xml:lang="de">Schauspieltechniken</datacite:subject>

  
<datacite:subject xml:lang="de">Thema Klassifizierung -- Kunst (A) -- Darstellende Künste (AT) -- Theaterwissenschaft (ATD) -- Schauspieltechniken (ATDC)</datacite:subject>

  
<datacite:subject xml:lang="de">Puppentheater, Marionettentheater, Papiertheater</datacite:subject>

  
<datacite:subject xml:lang="de">Thema Klassifizierung -- Kunst (A) -- Darstellende Künste (AT) -- Andere darstellende Künste (ATX) -- Puppentheater, Marionettentheater, Papiertheater (ATXM)</datacite:subject>

  
<datacite:subject xml:lang="de">Psychische Störungen</datacite:subject>

  
<datacite:subject xml:lang="de">Thema Klassifizierung -- Gesellschaft und Sozialwissenschaften (J) -- Psychologie (JM) -- Psychische Störungen (JMP)</datacite:subject>

  
<datacite:subject xml:lang="de">Das Selbst, das Ich, Identität und Persönlichkeit</datacite:subject>

  
<datacite:subject xml:lang="de">Thema Klassifizierung -- Gesellschaft und Sozialwissenschaften (J) -- Psychologie (JM) -- Das Selbst, das Ich, Identität und Persönlichkeit (JMS)</datacite:subject>

  
<datacite:subject xml:lang="de">Komplementär- und Alternativmedizin und -therapien</datacite:subject>

  
<datacite:subject xml:lang="de">Thema Klassifizierung -- Medizin (M) -- Komplementär- und Alternativmedizin und -therapien (MX)</datacite:subject>

  
<datacite:subject xml:lang="de">Theorien des Schauspielens</datacite:subject>

  
<datacite:subject xml:lang="de">doppelte Persönlichkeit</datacite:subject>

  
<datacite:subject xml:lang="de">Automatismus</datacite:subject>

  
<datacite:subject xml:lang="de">Hypnose</datacite:subject>

  
<datacite:subject xml:lang="de">Dissoziation</datacite:subject>

  
<datacite:subject xml:lang="de">Über-Marionetten</datacite:subject>

  
</datacite:subjects>

  
<licenseCondition uri="http://creativecommons.org/licenses/by-nc/4.0/">http://creativecommons.org/licenses/by-nc/4.0/</licenseCondition>

  
<file mimeType="application/pdf" objectType="fulltext">https://e-book.fwf.ac.at/api/object/o:1962/download</file>

  
<datacite:alternateIdentifiers>
  
<datacite:alternateIdentifier alternateIdentifierType="DOI">10.46479/RBS00007</datacite:alternateIdentifier>

  
</datacite:alternateIdentifiers>

  
<dc:format>application/pdf</dc:format>

  
<dc:source>Proskenion. Studien zu Theater und Performance</dc:source>

  
<citationTitle>Proskenion. Studien zu Theater und Performance</citationTitle>

  
<citationVolume>4</citationVolume>

  
<datacite:sizes>
  
<datacite:size>1.67 MB</datacite:size>

  
</datacite:sizes>

  
<datacite:dates>
  
<datacite:date dateType="Issued">2024</datacite:date>

  
</datacite:dates>

  
</resource>


