<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:description xml:lang="eng">During the Cold War, the Central European capital city of Prague, alongside other locations in the polarized postwar world, emerged as a key site where an art world of significant importance for artists from South Asia developed. By emphasizing cultural mobility as a catalyst for exchange and network building, this book challenges and complicates assumptions about Cold War binaries of East and West, and the polarization between so-called totalitarian regimes and free cultures. It offers a narrative of decolonization that rejected rigid systemic alignments in favor of participation across political and ideological blocs.</dc:description>
  <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
  <dc:date>2025-11-05</dc:date>
  <dc:type xml:lang="eng">Text</dc:type>
  <dc:type xml:lang="eng">book</dc:type>
  <dc:language>eng</dc:language>
  <dc:type xml:lang="ita">Testo</dc:type>
  <dc:type xml:lang="ita">Libro</dc:type>
  <dc:type xml:lang="deu">Text</dc:type>
  <dc:type xml:lang="deu">Buch</dc:type>
  <dc:identifier>doi:10.11116/9789461666628</dc:identifier>
  <dc:identifier>isbn:978-94 -6270-470-1</dc:identifier>
  <dc:subject xml:lang="deu">Kunstgeschichte</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019)</dc:subject>
  <dc:subject xml:lang="deu">Politische Geschichte</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- SOZIALWISSENSCHAFTEN (5) -- Politikwissenschaften (506) -- Politikwissenschaften (5060) -- Politische Geschichte (506011)</dc:subject>
  <dc:subject xml:lang="deu">Globalgeschichte</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Geschichte, Archäologie (601) -- Geschichte, Archäologie (6010) -- Globalgeschichte (601023)</dc:subject>
  <dc:subject xml:lang="deu">Kulturgeschichte</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002)</dc:subject>
  <dc:subject xml:lang="deu">Kunst</dc:subject>
  <dc:subject xml:lang="deu">Thema Klassifizierung -- Kunst (A)</dc:subject>
  <dc:subject xml:lang="deu">Kunst: allgemeine Themen</dc:subject>
  <dc:subject xml:lang="deu">Thema Klassifizierung -- Kunst (A) -- Kunst: allgemeine Themen (AB)</dc:subject>
  <dc:subject xml:lang="deu">Kunstformen</dc:subject>
  <dc:subject xml:lang="deu">Thema Klassifizierung -- Kunst (A) -- Kunstformen (AF)</dc:subject>
  <dc:subject xml:lang="deu">Kunst: Themen und Techniken</dc:subject>
  <dc:subject xml:lang="deu">Thema Klassifizierung -- Kunst (A) -- Kunst: Themen und Techniken (AG)</dc:subject>
  <dc:subject xml:lang="deu">Geschichte allgemein und Weltgeschichte</dc:subject>
  <dc:subject xml:lang="deu">Thema Klassifizierung -- Geschichte und Archäologie (N) -- Geschichte (NH) -- Geschichte allgemein und Weltgeschichte (NHB)</dc:subject>
  <dc:subject xml:lang="deu">Transnationale Moderne</dc:subject>
  <dc:subject xml:lang="deu">Studien des Kalten Krieges</dc:subject>
  <dc:subject xml:lang="deu">Moderne der blockfreie Staaten</dc:subject>
  <dc:subject xml:lang="deu">Transkulturelle Moderne</dc:subject>
  <dc:subject xml:lang="deu">Kritische Globale Moderne</dc:subject>
  <dc:subject xml:lang="eng">Art history</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019)</dc:subject>
  <dc:subject xml:lang="eng">Political history</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- SOCIAL SCIENCES (5) -- Political Science (506) -- Political Science (5060) -- Political history (506011)</dc:subject>
  <dc:subject xml:lang="eng">Global history</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- History, Archaeology (601) -- History, Archaeology (6010) -- Global history (601023)</dc:subject>
  <dc:subject xml:lang="eng">Cultural history</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002)</dc:subject>
  <dc:subject xml:lang="eng">The Arts</dc:subject>
  <dc:subject xml:lang="eng">Thema Subject Codes -- The Arts (A)</dc:subject>
  <dc:subject xml:lang="eng">The arts: general topics</dc:subject>
  <dc:subject xml:lang="eng">Thema Subject Codes -- The Arts (A) -- The arts: general topics (AB)</dc:subject>
  <dc:subject xml:lang="eng">The Arts: art forms</dc:subject>
  <dc:subject xml:lang="eng">Thema Subject Codes -- The Arts (A) -- The Arts: art forms (AF)</dc:subject>
  <dc:subject xml:lang="eng">The Arts: treatments and subjects</dc:subject>
  <dc:subject xml:lang="eng">Thema Subject Codes -- The Arts (A) -- The Arts: treatments and subjects (AG)</dc:subject>
  <dc:subject xml:lang="eng">General and world history</dc:subject>
  <dc:subject xml:lang="eng">Thema Subject Codes -- History and Archaeology (N) -- History (NH) -- General and world history (NHB)</dc:subject>
  <dc:subject xml:lang="eng">Transnational Modernism</dc:subject>
  <dc:subject xml:lang="eng">Cold War Studies</dc:subject>
  <dc:subject xml:lang="eng">Non-Aligned Modernism</dc:subject>
  <dc:subject xml:lang="eng">Transcultural Modernism</dc:subject>
  <dc:subject xml:lang="eng">Critical Global Modernism</dc:subject>
  <dc:publisher>Leuven University Press</dc:publisher>
  <dc:title xml:lang="eng">Cold War Art Worlds : South Asian Art and Artists in Prague, 1947-1989</dc:title>
  <dc:description xml:lang="deu">Während des Kalten Krieges entwickelte sich die mitteleuropäische Hauptstadt Prag neben anderen Orten der polarisierten Nachkriegswelt zu einem zentralen Ort, an dem sich eine Kunstwelt von großer Bedeutung für Künstler*innen aus Südasien entwickelte. Indem dieses Buch kulturelle Mobilität als Katalysator für Austausch und Netzwerkbildung betont, hinterfragt und verkompliziert es Annahmen über die Gegensätzlichkeit von Ost und West im Kalten Krieg sowie die Polarisierung zwischen sogenannten totalitären Regimen und freien Kulturen. Es bietet ein Narrativ der Dekolonisierung, das starre systemische Ausrichtungen ablehnt und stattdessen Partizipation über politische und ideologische Blöcke hinweg beleuchtet.</dc:description>
  <dc:creator>Simone Wille</dc:creator>
  <dc:format>application/pdf</dc:format>
  <dc:identifier>https://e-book.fwf.ac.at/o:2057</dc:identifier>
</oai_dc:dc>