{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/spec\/#","frap":"http:\/\/purl.org\/cerif\/frapo","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"https:\/\/www.w3.org\/TR\/rdf-schema\/","relators":"http:\/\/id.loc.gov\/vocabulary\/relators","role":{"@context":{"aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"}}},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl"},"@id":"https:\/\/e-book.fwf.ac.at\/o:2086","bf:note":[{"@type":"bf:Note","skos:prefLabel":[{"@language":"deu","@value":"Dieses Buch bietet die erste umfassende kulturwissenschaftliche Analyse von ASMR (Autonomous Sensory Meridian Response) als medialer, sinnlicher und affektiver Praxis. ASMR wird als postkinematografische Medienform verstanden, die durch Flüstern, Geräusche und performative Gesten intime Erfahrungen erzeugt und die Grenzen zwischen Körper, Technologie, Mensch und Maschine neu verhandelt. Auf der Grundlage von Medienwissenschaft, Posthumanismus und Affekttheorie sowie digitaler Ethnografie verortet die Studie ASMR im Kontext zeitgenössischer Selbstfürsorge- und Wellnesskulturen."}]},{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"This book offers the first comprehensive cultural analysis of ASMR (Autonomous Sensory Meridian Response) as a mediated, sensory and affective practice. It conceptualizes ASMR as a post-cinematic media form that produces intimacy through sound, gesture and performance, reconfiguring relations between bodies, technologies, humans and machines. Drawing on media studies, posthumanist theory, affect theory and digital ethnography, the book situates ASMR within contemporary cultures of digital self-care and wellness."}]}],"bf:provisionActivity":[{"@type":"bf:Publication","bf:agent":[{"@type":"schema:Organization","schema:name":[{"@value":"Peter Lang"}]}],"bf:date":["2026"],"bf:place":[{"@type":"schema:Place","skos:prefLabel":[{"@value":"Oxford"}]}]}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"ASMR"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Affekttheorie"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"digitale Intimität"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Posthumanismus"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"sinnliche Erfahrungen"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Schlafkultur"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Klanglandschaften"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Klopfgeräusche"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Kratzgeräusche"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"transgressive Intimität"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Entspannung"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"postkinematografische Medienpraxis"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"verkörperte Empfindungen"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Wellnesskultur"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"Selbstfürsorgekultur"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"affektive Trigger"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"mediale Performance"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"ASMR"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"affect theory"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"digital intimacy"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"posthumanism"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"sensory experiences"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"sleep culture"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"soundscapes"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"tapping"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"scratching"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"transgressive intimacy"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"relaxation"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"post-cinematic media practice"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"embodied sensations"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"wellness culture"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"self-care culture"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"affective triggers"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"media performance"}]}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"eng","@value":"Hear the Tap, Feel the Scratch"}],"bf:subtitle":[{"@language":"eng","@value":"The Transgressive Intimacy of ASMR"}]}],"dcterms:language":["eng"],"dcterms:subject":[{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturwissenschaft (605004)"},{"@language":"eng","@value":"ÖFOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural studies (605004)"}],"skos:exactMatch":["oefos2012:605004"],"skos:notation":["605004"],"skos:prefLabel":[{"@language":"deu","@value":"Kulturwissenschaft"},{"@language":"eng","@value":"Cultural studies"}]},{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"ÖFOS 2012 -- SOZIALWISSENSCHAFTEN (5) -- Medien- und Kommunikationswissenschaften (508) -- Medien- und Kommunikationswissenschaften (5080) -- Medienanalyse (508008)"},{"@language":"eng","@value":"ÖFOS 2012 -- SOCIAL SCIENCES (5) -- Media and Communication Sciences (508) -- Media and Communication Sciences (5080) -- Media analysis (508008)"}],"skos:exactMatch":["oefos2012:508008"],"skos:notation":["508008"],"skos:prefLabel":[{"@language":"deu","@value":"Medienanalyse"},{"@language":"eng","@value":"Media analysis"}]},{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"ÖFOS 2012 -- TECHNISCHE WISSENSCHAFTEN (2) -- Elektrotechnik, Elektronik, Informationstechnik (202) -- Elektrotechnik, Elektronik, Informationstechnik (2020) -- Audiovisuelle Medien (202002)"},{"@language":"eng","@value":"ÖFOS 2012 -- TECHNICAL SCIENCES (2) -- Electrical Engineering, Electronics, Information Engineering (202) -- Electrical Engineering, Electronics, Information Engineering (2020) -- Audiovisual media (202002)"}],"skos:exactMatch":["oefos2012:202002"],"skos:notation":["202002"],"skos:prefLabel":[{"@language":"deu","@value":"Audiovisuelle Medien"},{"@language":"eng","@value":"Audiovisual media"}]},{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Filmwissenschaft (604011)"},{"@language":"eng","@value":"ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Film studies (604011)"}],"skos:exactMatch":["oefos2012:604011"],"skos:notation":["604011"],"skos:prefLabel":[{"@language":"deu","@value":"Filmwissenschaft"},{"@language":"eng","@value":"Film studies"}]},{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"Thema Klassifizierung -- Kunst (A) -- Darstellende Künste (AT) -- Internet und digitale Medien: Kunst und Performance (ATN)"},{"@language":"eng","@value":"Thema Subject Codes -- The Arts (A) -- Performing arts (AT) -- Internet and digital media: arts and performance (ATN)"}],"skos:exactMatch":["thema:ATN"],"skos:notation":["ATN"],"skos:prefLabel":[{"@language":"deu","@value":"Internet und digitale Medien: Kunst und Performance"},{"@language":"eng","@value":"Internet and digital media: arts and performance"}]},{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"Thema Klassifizierung -- Gesellschaft und Sozialwissenschaften (J) -- Gesellschaft und Kultur, allgemein (JB) -- Kultur- und Medienwissenschaften (JBC) -- Medienwissenschaften (JBCT) -- Medienwissenschaften: Internet, digitale Medien und Gesellschaft (JBCT1)"},{"@language":"eng","@value":"Thema Subject Codes -- Society and Social Sciences (J) -- Society and culture: general (JB) -- Cultural and media studies (JBC) -- Media studies (JBCT) -- Media studies: internet, digital media and society (JBCT1)"}],"skos:exactMatch":["thema:JBCT1"],"skos:notation":["JBCT1"],"skos:prefLabel":[{"@language":"deu","@value":"Medienwissenschaften: Internet, digitale Medien und Gesellschaft"},{"@language":"eng","@value":"Media studies: internet, digital media and society"}]}],"dcterms:type":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/69ZZ-2KGX"],"skos:prefLabel":[{"@language":"eng","@value":"Text"},{"@language":"deu","@value":"Text"},{"@language":"ita","@value":"Documento PDF"}]}],"ebucore:filename":["PUB 1266_Lapinska_Hear the Tap_Feel the Scratch.pdf"],"ebucore:hasMimeType":["application\/pdf"],"edm:hasType":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/47QB-8QF1"],"skos:prefLabel":[{"@language":"eng","@value":"book"},{"@language":"deu","@value":"Buch"},{"@language":"ita","@value":"Libro"}]}],"edm:rights":["http:\/\/creativecommons.org\/licenses\/by\/4.0\/"],"frapo:isOutputOf":[{"@type":"foaf:Project","frapo:hasFundingAgency":[{"@type":"frapo:FundingAgency","skos:exactMatch":["https:\/\/ror.org\/013tf3c58"],"skos:prefLabel":[{"@value":"FWF Austrian Science Fund"}]}],"skos:exactMatch":[{"@type":"ids:doi","@value":"10.55776\/PUB1266"}]}],"rdam:P30004":[{"@type":"ids:doi","@value":"10.3726\/b20210"},{"@type":"ids:isbn","@value":"978-1-80374-019-5"}],"rdau:P60193":[{"@type":"schema:CreativeWork","bibo:volume":[{"@value":"51"}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"deu","@value":"European Connections: Studies in Comparative Literature, Intermediality and Aesthetics"}]}]}],"role:aut":[{"@type":"schema:Person","schema:affiliation":[{"@type":"schema:Organization","schema:name":[{"@value":"University of Vienna"}],"skos:exactMatch":["https:\/\/ror.org\/03prydq77"]}],"schema:familyName":[{"@value":"Łapińska"}],"schema:givenName":[{"@value":"Joanna"}],"skos:exactMatch":[{"@type":"ids:orcid","@value":"0000-0002-6634-1778"}]}],"schema:numberOfPages":["206"]}