
<resource xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:datacite="http://datacite.org/schema/kernel-4" xmlns="http://namespace.openaire.eu/schema/oaire/" xsi:schemaLocation="http://namespace.openaire.eu/schema/oaire/ https://www.openaire.eu/schema/repo-lit/4.0/openaire.xsd">
  
<datacite:identifier identifierType="URL">https://e-book.fwf.ac.at/o:2086</datacite:identifier>

  
<datacite:titles>
  
<datacite:title xml:lang="en">Hear the Tap, Feel the Scratch : The Transgressive Intimacy of ASMR</datacite:title>

  
</datacite:titles>

  
<datacite:creators>
  
<datacite:creator>
  
<datacite:creatorName nameType="Personal">Łapińska, Joanna</datacite:creatorName>

  
<datacite:givenName>Joanna</datacite:givenName>

  
<datacite:familyName>Łapińska</datacite:familyName>

  
<datacite:nameIdentifier nameIdentifierScheme="ORCID" schemeURI="https://orcid.org/">0000-0002-6634-1778</datacite:nameIdentifier>

  
<datacite:affiliation>University of Vienna</datacite:affiliation>

  
</datacite:creator>

  
</datacite:creators>

  
<dc:publisher>Peter Lang</dc:publisher>

  
<resourceType resourceTypeGeneral="literature" uri="http://purl.org/coar/resource_type/c_18cf">text</resourceType>

  
<fundingReferences>
  
<fundingReference>
  
<funderName>FWF Austrian Science Fund</funderName>

  
<awardNumber>HASH(0x6308fcb9a3b8)</awardNumber>

  
</fundingReference>

  
</fundingReferences>

  
<dc:language>eng</dc:language>

  
<dc:description xml:lang="en">This book offers the first comprehensive cultural analysis of ASMR (Autonomous Sensory Meridian Response) as a mediated, sensory and affective practice. It conceptualizes ASMR as a post-cinematic media form that produces intimacy through sound, gesture and performance, reconfiguring relations between bodies, technologies, humans and machines. Drawing on media studies, posthumanist theory, affect theory and digital ethnography, the book situates ASMR within contemporary cultures of digital self-care and wellness.</dc:description>

  
<dc:description xml:lang="de">Dieses Buch bietet die erste umfassende kulturwissenschaftliche Analyse von ASMR (Autonomous Sensory Meridian Response) als medialer, sinnlicher und affektiver Praxis. ASMR wird als postkinematografische Medienform verstanden, die durch Flüstern, Geräusche und performative Gesten intime Erfahrungen erzeugt und die Grenzen zwischen Körper, Technologie, Mensch und Maschine neu verhandelt. Auf der Grundlage von Medienwissenschaft, Posthumanismus und Affekttheorie sowie digitaler Ethnografie verortet die Studie ASMR im Kontext zeitgenössischer Selbstfürsorge- und Wellnesskulturen.</dc:description>

  
<datacite:subjects>
  
<datacite:subject xml:lang="de">Kulturwissenschaft</datacite:subject>

  
<datacite:subject xml:lang="de">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturwissenschaft (605004)</datacite:subject>

  
<datacite:subject xml:lang="de">Medienanalyse</datacite:subject>

  
<datacite:subject xml:lang="de">ÖFOS 2012 -- SOZIALWISSENSCHAFTEN (5) -- Medien- und Kommunikationswissenschaften (508) -- Medien- und Kommunikationswissenschaften (5080) -- Medienanalyse (508008)</datacite:subject>

  
<datacite:subject xml:lang="de">Audiovisuelle Medien</datacite:subject>

  
<datacite:subject xml:lang="de">ÖFOS 2012 -- TECHNISCHE WISSENSCHAFTEN (2) -- Elektrotechnik, Elektronik, Informationstechnik (202) -- Elektrotechnik, Elektronik, Informationstechnik (2020) -- Audiovisuelle Medien (202002)</datacite:subject>

  
<datacite:subject xml:lang="de">Filmwissenschaft</datacite:subject>

  
<datacite:subject xml:lang="de">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Filmwissenschaft (604011)</datacite:subject>

  
<datacite:subject xml:lang="de">Internet und digitale Medien: Kunst und Performance</datacite:subject>

  
<datacite:subject xml:lang="de">Thema Klassifizierung -- Kunst (A) -- Darstellende Künste (AT) -- Internet und digitale Medien: Kunst und Performance (ATN)</datacite:subject>

  
<datacite:subject xml:lang="de">Medienwissenschaften: Internet, digitale Medien und Gesellschaft</datacite:subject>

  
<datacite:subject xml:lang="de">Thema Klassifizierung -- Gesellschaft und Sozialwissenschaften (J) -- Gesellschaft und Kultur, allgemein (JB) -- Kultur- und Medienwissenschaften (JBC) -- Medienwissenschaften (JBCT) -- Medienwissenschaften: Internet, digitale Medien und Gesellschaft (JBCT1)</datacite:subject>

  
<datacite:subject xml:lang="de">ASMR</datacite:subject>

  
<datacite:subject xml:lang="de">Affekttheorie</datacite:subject>

  
<datacite:subject xml:lang="de">digitale Intimität</datacite:subject>

  
<datacite:subject xml:lang="de">Posthumanismus</datacite:subject>

  
<datacite:subject xml:lang="de">sinnliche Erfahrungen</datacite:subject>

  
<datacite:subject xml:lang="de">Schlafkultur</datacite:subject>

  
<datacite:subject xml:lang="de">Klanglandschaften</datacite:subject>

  
<datacite:subject xml:lang="de">Klopfgeräusche</datacite:subject>

  
<datacite:subject xml:lang="de">Kratzgeräusche</datacite:subject>

  
<datacite:subject xml:lang="de">transgressive Intimität</datacite:subject>

  
<datacite:subject xml:lang="de">Entspannung</datacite:subject>

  
<datacite:subject xml:lang="de">postkinematografische Medienpraxis</datacite:subject>

  
<datacite:subject xml:lang="de">verkörperte Empfindungen</datacite:subject>

  
<datacite:subject xml:lang="de">Wellnesskultur</datacite:subject>

  
<datacite:subject xml:lang="de">Selbstfürsorgekultur</datacite:subject>

  
<datacite:subject xml:lang="de">affektive Trigger</datacite:subject>

  
<datacite:subject xml:lang="de">mediale Performance</datacite:subject>

  
<datacite:subject xml:lang="en">Cultural studies</datacite:subject>

  
<datacite:subject xml:lang="en">ÖFOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural studies (605004)</datacite:subject>

  
<datacite:subject xml:lang="en">Media analysis</datacite:subject>

  
<datacite:subject xml:lang="en">ÖFOS 2012 -- SOCIAL SCIENCES (5) -- Media and Communication Sciences (508) -- Media and Communication Sciences (5080) -- Media analysis (508008)</datacite:subject>

  
<datacite:subject xml:lang="en">Audiovisual media</datacite:subject>

  
<datacite:subject xml:lang="en">ÖFOS 2012 -- TECHNICAL SCIENCES (2) -- Electrical Engineering, Electronics, Information Engineering (202) -- Electrical Engineering, Electronics, Information Engineering (2020) -- Audiovisual media (202002)</datacite:subject>

  
<datacite:subject xml:lang="en">Film studies</datacite:subject>

  
<datacite:subject xml:lang="en">ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Film studies (604011)</datacite:subject>

  
<datacite:subject xml:lang="en">Internet and digital media: arts and performance</datacite:subject>

  
<datacite:subject xml:lang="en">Thema Subject Codes -- The Arts (A) -- Performing arts (AT) -- Internet and digital media: arts and performance (ATN)</datacite:subject>

  
<datacite:subject xml:lang="en">Media studies: internet, digital media and society</datacite:subject>

  
<datacite:subject xml:lang="en">Thema Subject Codes -- Society and Social Sciences (J) -- Society and culture: general (JB) -- Cultural and media studies (JBC) -- Media studies (JBCT) -- Media studies: internet, digital media and society (JBCT1)</datacite:subject>

  
<datacite:subject xml:lang="en">ASMR</datacite:subject>

  
<datacite:subject xml:lang="en">affect theory</datacite:subject>

  
<datacite:subject xml:lang="en">digital intimacy</datacite:subject>

  
<datacite:subject xml:lang="en">posthumanism</datacite:subject>

  
<datacite:subject xml:lang="en">sensory experiences</datacite:subject>

  
<datacite:subject xml:lang="en">sleep culture</datacite:subject>

  
<datacite:subject xml:lang="en">soundscapes</datacite:subject>

  
<datacite:subject xml:lang="en">tapping</datacite:subject>

  
<datacite:subject xml:lang="en">scratching</datacite:subject>

  
<datacite:subject xml:lang="en">transgressive intimacy</datacite:subject>

  
<datacite:subject xml:lang="en">relaxation</datacite:subject>

  
<datacite:subject xml:lang="en">post-cinematic media practice</datacite:subject>

  
<datacite:subject xml:lang="en">embodied sensations</datacite:subject>

  
<datacite:subject xml:lang="en">wellness culture</datacite:subject>

  
<datacite:subject xml:lang="en">self-care culture</datacite:subject>

  
<datacite:subject xml:lang="en">affective triggers</datacite:subject>

  
<datacite:subject xml:lang="en">media performance</datacite:subject>

  
</datacite:subjects>

  
<licenseCondition uri="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</licenseCondition>

  
<file mimeType="application/pdf" objectType="fulltext">https://e-book.fwf.ac.at/api/object/o:2086/download</file>

  
<datacite:alternateIdentifiers>
  
<datacite:alternateIdentifier alternateIdentifierType="DOI">10.3726/b20210</datacite:alternateIdentifier>

  
</datacite:alternateIdentifiers>

  
<dc:format>application/pdf</dc:format>

  
<dc:source xml:lang="de">European Connections: Studies in Comparative Literature, Intermediality and Aesthetics</dc:source>

  
<citationTitle>European Connections: Studies in Comparative Literature, Intermediality and Aesthetics</citationTitle>

  
<citationVolume>51</citationVolume>

  
<datacite:sizes>
  
<datacite:size>196.45 MB</datacite:size>

  
</datacite:sizes>

  
<datacite:dates>
  
<datacite:date dateType="Issued">2026</datacite:date>

  
</datacite:dates>

  
</resource>


