<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:subject xml:lang="eng">Modern history</dc:subject>
  <dc:subject xml:lang="eng">ÖFOS 2012 -- HUMANITIES (6) -- History, Archaeology (601) -- History, Archaeology (6010) -- Modern history (601014)</dc:subject>
  <dc:subject xml:lang="eng">History</dc:subject>
  <dc:subject xml:lang="eng">Thema Subject Codes -- History and Archaeology (N) -- History (NH)</dc:subject>
  <dc:subject xml:lang="eng">Caucasus</dc:subject>
  <dc:subject xml:lang="eng">Global History</dc:subject>
  <dc:subject xml:lang="eng">Entangled History</dc:subject>
  <dc:subject xml:lang="eng">Photography</dc:subject>
  <dc:subject xml:lang="eng">Visual Cultures</dc:subject>
  <dc:type xml:lang="ita">Documento PDF</dc:type>
  <dc:type xml:lang="ita">Libro</dc:type>
  <dc:description xml:lang="eng">The book examines the networks of photographic practices in the Caucasus at the intersection of power and rule of the Russian,
Ottoman, and Iranian empires in the late 19th and early 20th centuries. Gutmeyr-Schnur not only uncovers numerous previously overlooked facets of the local history of photography in the Caucasus but also integrates these into a global history of technology, thereby bringing a seemingly peripheral region to the center of a global research field. Camera Caucasica demonstrates that photographs are ultimately the result of complex and entangled networks of cultural traditions, political developments, and economic processes.</dc:description>
  <dc:format>application/pdf</dc:format>
  <dc:source xml:lang="deu">Imperial Encounters in Russian History</dc:source>
  <dc:rights>http://creativecommons.org/licenses/by-nc/4.0/</dc:rights>
  <dc:title xml:lang="eng">Camera Caucasica. Networks of Photographic Practices in the Transimperial Caucasus</dc:title>
  <dc:subject xml:lang="deu">Neuere Geschichte</dc:subject>
  <dc:subject xml:lang="deu">ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Geschichte, Archäologie (601) -- Geschichte, Archäologie (6010) -- Neuere Geschichte (601014)</dc:subject>
  <dc:subject xml:lang="deu">Geschichte</dc:subject>
  <dc:subject xml:lang="deu">Thema Klassifizierung -- Geschichte und Archäologie (N) -- Geschichte (NH)</dc:subject>
  <dc:subject xml:lang="deu">Kaukasus</dc:subject>
  <dc:subject xml:lang="deu">Globalgeschichte</dc:subject>
  <dc:subject xml:lang="deu">Verflechtungsgeschichte</dc:subject>
  <dc:subject xml:lang="deu">Fotografie</dc:subject>
  <dc:subject xml:lang="deu">Visuelle Kulturen</dc:subject>
  <dc:type xml:lang="eng">Text</dc:type>
  <dc:type xml:lang="eng">book</dc:type>
  <dc:type xml:lang="deu">Text</dc:type>
  <dc:type xml:lang="deu">Buch</dc:type>
  <dc:identifier>isbn:9798897831135</dc:identifier>
  <dc:language>eng</dc:language>
  <dc:creator>Dominik Gutmeyr-Schnur</dc:creator>
  <dc:date>2026</dc:date>
  <dc:publisher>Academic Studies Press</dc:publisher>
  <dc:description xml:lang="deu">Das Buch untersucht die Netzwerke fotografischer Praxis im Kaukasus am Schnittpunkt der Macht- und Herrschaftsbereiche der russländischen, osmanischen und iranischen Reiche des späten 19. und frühen 20. Jahrhunderts. Gutmeyr-Schnur erschließt dabei nicht nur zahlreiche bislang wenig beachtete Facetten der lokalen Geschichte der Fotografie im Kaukasus, sondern integriert diese in eine weltumspannende Geschichte der Technik, wodurch eine vermeintlich periphere Region in das Zentrum eines globalen Forschungsfeldes rückt. Camera Caucasica zeigt auf, dass Fotografien letztendlich das Ergebnis komplexer und verflochtener Netzwerke aus kulturellen Traditionen, politischen Entwicklungen und wirtschaftlichen Prozessen sind.</dc:description>
  <dc:identifier>https://e-book.fwf.ac.at/o:2101</dc:identifier>
</oai_dc:dc>