Böhlau Brucher, Günter Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten. application/pdf Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory. ÖFOS ÖFOS ÖFOS CC BY-NC-ND 3.0 AT http://creativecommons.org/licenses/by-nc-nd/3.0/at/ 2013-05 Ca. 1490-1520, Italian Renaissance; Venice/Veneto Geschichte der venezianischen Malerei, Band 3: Von Giorgione zum frühen Tizian deu book Ca. 1490-1520, Italienische Renaissance; Venedig/Veneto ISBN: 978-3-205-78889-8 https://e-book.fwf.ac.at/o:375 ÖFOS ÖFOS ÖFOS Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung ÖFOS -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (68) -- Kunstgeschichte (6808) ÖFOS -- GEISTESWISSENSCHAFTEN (6) -- Philosophie (61) -- Hermeneutik (6116) ÖFOS -- SOZIALWISSENSCHAFTEN (5) -- Psychologie (55) -- Wahrnehmungspsychologie (5515) BIC Standard Subject Categories BIC Standard Subject Categories BIC Standard Subject Qualifiers ÖFOS ÖFOS ÖFOS BIC Standard Subject Categories BIC Standard Subject Categories BIC Standard Subject Qualifiers Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research ÖFOS -- HUMANITIES (6) -- Arts (68) -- Art history (6808) ÖFOS -- HUMANITIES (6) -- Philosophy (61) -- Hermeneutics (6116) ÖFOS -- SOCIAL SCIENCES (5) -- Psychology (55) -- Psychology of perception (5515) BIC Standard Subject Categories -- The arts (A) -- History of art / art & design styles (AC) -- History of art & design styles: c 1400 to c 1600 (ACN) -- Renaissance art (ACND) BIC Standard Subject Categories -- The arts (A) -- Art forms (AF) -- Painting & paintings (AFC) BIC Standard Subject Qualifiers -- GEOGRAPHICAL (1) -- Europe (1D) -- Southern Europe (1DS) -- Italy (1DST)