e-book.fwf.ac.at o:375 ISBN 978-3-205-78889-8 Geschichte der venezianischen Malerei, Band 3: Von Giorgione zum frühen Tizian Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory. Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten. deu Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research BIC Standard Subject Categories -- The arts (A) -- History of art / art & design styles (AC) -- History of art & design styles: c 1400 to c 1600 (ACN) -- Renaissance art (ACND) BIC Standard Subject Categories -- The arts (A) -- Art forms (AF) -- Painting & paintings (AFC) BIC Standard Subject Qualifiers -- GEOGRAPHICAL (1) -- Europe (1D) -- Southern Europe (1DS) -- Italy (1DST) Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung 2019-05-10T08:59:53.515Z LOMv1.0 Author BEGIN:VCARD VERSION:3.0 N:Brucher;Günter; FN:Günter Brucher END:VCARD https://w3id.org/kim/hcrt/scheme https://w3id.org/kim/hcrt/text Textdokument Text LOMv1.0 yes https://creativecommons.org/licenses/by-nc-nd/3.0/at application/pdf 49842153 https://e-book.fwf.ac.at/o:375 https://e-book.fwf.ac.at/api/object/o:375/thumbnail LOMv1.0 discipline https://w3id.org/oerbase/vocabs/oefos2012 https://w3id.org/oerbase/vocabs/oefos2012/6 HUMANITIES GEISTESWISSENSCHAFTEN https://w3id.org/oerbase/vocabs/oefos2012/68 Arts Kunstwissenschaften https://w3id.org/oerbase/vocabs/oefos2012/6808 Art history Kunstgeschichte https://w3id.org/oerbase/vocabs/oefos2012 https://w3id.org/oerbase/vocabs/oefos2012/5 SOCIAL SCIENCES SOZIALWISSENSCHAFTEN https://w3id.org/oerbase/vocabs/oefos2012/55 Psychology Psychologie https://w3id.org/oerbase/vocabs/oefos2012/5515 Psychology of perception Wahrnehmungspsychologie https://w3id.org/oerbase/vocabs/oefos2012 https://w3id.org/oerbase/vocabs/oefos2012/6 HUMANITIES GEISTESWISSENSCHAFTEN https://w3id.org/oerbase/vocabs/oefos2012/61 Philosophy Philosophie https://w3id.org/oerbase/vocabs/oefos2012/6116 Hermeneutics Hermeneutik