Von Giorgione zum frühen Tizian

Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten.

Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory.

Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung

Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research

Ca. 1490-1520, Italienische Renaissance; Venedig/Veneto

Ca. 1490-1520, Italian Renaissance; Venice/Veneto

application/pdf

402 Seiten

Geschichte der venezianischen Malerei

Band III

Wien

Böhlau